Nancy Famolari lives with her husband, five horses, two dogs and five white cats on a farm in the Endless Mountains of Pennsylvania. Her stories and poems have appeared in Long Story Short, Flash Shot, Fiction Flyer, Lyrica, Alienskin Magazine Clockwise Cat, and Matters of the Heart from the Museitup Press. She received an award from Fiction Flyer for one of her flash fiction stories.
Doesn’t Nancy’s home sound like a bit of heaven. Living in New York City, it sure does!
Okay, on to the good stuff:
An Unexpected Benefit from Self Publishing
By Nancy Famolari
Self-publishing has many benefits:
• Control of the text of your book.
• Control of the cover design.
• Ability to make the book available in both digital and traditional formats at the same time.
For me, these were important reasons for using this flexible publication medium. However, with the first book I published, I found a benefit I wasn't sure I wanted. Having complete control of the text, I had to take full responsibility for the final product.
I had avoided thinking too much about the mechanics of getting a book ready for publication. I thought my editor would smooth out the text and make it salable. Editors do a great deal, and I had a superb editor, but when I was forced back on my own resources, I found I could do things I should have done before the book ever went to an editor. These included:
• Assuring the grammar and punctuation were correct. I thought I knew enough grammar to get by, and whatever I didn't know would be supplied by the editor, or surely the copy editor. Controlling the grammar and punctuation myself made me conscious of what each sentence conveyed. It led to a lot of rewriting. Punctuation is a valuable tool that can be used to enhance the images you are trying to convey.
• Making sure each speaker's the body language is correct. I favor description of the speaker's actions to elucidate the text. After several a careful reads, I realized there were many instances where I could use description to increase tension and reveal character.
• Checking the facts to assure each link in the chain of evidence works. When working for myself, trying to assure that each scene made a contribution to the story, I found myself making time lines and synopses. It was a lot of work, but when you're writing a mystery, it's necessary.
Perhaps I was naive when I started writing novels. I felt like an amateur, and I prepared my manuscripts that way hoping professional editors would correct the problems. When I became my own publisher, I became critical of my work and took responsibility for the finished product.
I don't mean to suggest editors are unnecessary, or that everyone should take up self-publishing. What I do suggest is that we should each view our work as though we were the publisher. I'm sure our editors will thank us, and we'll have a better chance of finding a publisher willing to spend time and money on our books.
Nancy, thanks for these great insights into self-publishing. It’s a publishing route a number of authors are looking into today.
Now, let’s take a look at some of Nancy’s books:
When fifteen-year-old Meg discovers that a beautiful Swedish student with designs on her boyfriend has come to spend a year on her beloved horse farm, she decides to act. None of her plans to force Katrina to leave work. During foaling season, disaster strikes. Will the girls cooperate to save the mare and foal?
Available from Amazon: http://www.amazon.com/dp/1448697123
The lake house has been empty for ten years – the scene of a brutal murder. Undeterred by the story, Mark and Tory buy their dream house, but when they move in strange things happen. While exploring the house n the first afternoon, they find a hunting knife wedged in a closet under the stairs. Could this be the murder weapon?
Tory, a romance novelist, becomes fascinated by the unsolved murder. The owner's beautiful, young wife was found stabbed to death. The police say it was a burglary gone wrong, but she doesn't believe it. Alone at the house during the week, while Mark works in New York, Tory feels the presence of the murdered woman. When she asks questions, the townspeople become antagonistic Only Andy, the newspaper editor, tries to be helpful. After someone shoots at her, Mark tells her to stop the investigation. But she has to know: is she crazy, sensing the presence of a ghost, or is the town covering up a brutal murder? As her investigation continues, more accidents happen. Is someone trying to frighten her away, or is she the killer's next target?
Available from: http://www.amazon.com/Lake-House-Nancy-Famolari/dp/1452817944/
Fearful that her husband, Peter, is having an affair, Sara haunts the woman's street. When a white car like Peter's roars down the driveway narrowly missing her, she's had enough. Determined to face her rival, she enters the house and finds the woman sprawled on the floor in a pool of blood. Suddenly, she's the primary suspect, but what if Peter committed the murder? Chess Devon, Deputy Police Chief, thinks Sara's innocent, but Chess has romantic problems of her own. The man she dumped in San Francisco is now Chief of Detectives in Scranton, and he wants her help. More than murder is going on in Montbleu, and he's committed to finding out what it is.
Available from Amazon: http://www.amazon.com/Murder-Montbleu-Nancy-Famolari/dp/1453764240/ref=sr_1_1?ie=UTF8&s=books&qid=1288307338&sr=1-1
To learn more about Nancy you can check out her site links:
My Space: http://www.myspace.com/nancyfamolari/
Nancy, it’s been a real pleasure featuring you today. I wish you great success with all you books.
To all my visitors, please be sure to stop by Write On Online tomorrow, November 2nd, for a great post featuring Janet Ann Collins.
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