Sunday, January 31, 2010

A Blog Chain

Okay, I’ll be the first to admit I’ve never heard of a blog chain before. So, I decided to do a search…I put on my Sherlock Holmes hat…got my magnifying glass… and stooped forward in an investigative stance. NAH! Just kidding. I let my fingers do the work and Googled it. Interestingly, there is not much information on the topic; at least none that I could find (within the time limit I wanted to spend on it) explaining what it is and what purpose it serves.

So, I'll just jump in since I joined the Blog Chain initiated by Suzanne Lieurance at The National Writing for Children Center (NWCC): http://writingforchildrencenter.com

From what I gather, those involved in the chain post as often as possible (once a day would be ideal) on their own site during the event. Obviously, the content should be of value. At the end of each post, the blogger links to the next blogger in the chain. Each chain member should visit every other blogger involved at least once during the event, as well as promote the Chain. In this particular Chain, the social networking promotion blurb will link to the NWCC site.

The NWCC will be the headquarters, listing the links of those bloggers in the Chain. It will also provide daily updates of the progress of the event.

I hope you join in and follow this Chain Blog, there should be some valuable and interesting posts, AND, you’ll learn along with me how one pans out.

Oh, silly me, the Blog Chain begins tomorrow, February 1st and runs through Monday, February 8th. Please be sure to check out: http://writingforchildrencenter.com for the links to the bloggers participating.
The first link is: http://www.suzannelieurance.com, so stop on by there tomorrow, Monday, February 1st.

Stay tuned; this should be interesting!

Karen Cioffi
http://karencioffi.com

Links to my books:
Day’s End Lullaby
Writing, Publishing, and Marketing – You Can Do It!
The Self-Publisher’s Guide


Saturday, January 30, 2010

February Author and Book Tour - NOT Just Your Ordinary Tour

Can you believe it? The first month of the year is just about gone. But, it’s okay, we have a great February, full of great author articles, interviews, and reviews.

If you want to learn about poetry, writing and marketing, we have just the writers to provide the information. Be sure to stop each day.

Our February 2010 Author and Book Tour:

1st Dianne Sagan is hosting Vivian Zabel
2nd Karen Cioffi is hosting Margaret Fieland
3rd Kathy Stemke is hosting Dana Donovan
4th Lea Schizas is hosting Heidi Thomas
5th Vivian Zabel is hosting Lea Schizas
6th Nancy Famolari is hosting Dianne Sagan
7th Margaret Fieland is hosting Carolyn Howard-Johnson
8th Elysabeth Eldering is hosting Stephen Tremp
9th Helena Harper is hosting Dallas Woodburn
10th Liana Metal is hosting Maggie Ball
11th Carolyn Howard-Johnson is hosting Nancy Famolari
12th Gayle Trent is hosting Mayra Calvani
13th Mayra Calvani is hosting Elysabeth Eldering
14th Marvin Wilson is hosting Heather Paye
15th Stephen Tremp is hosting Marvin Wilson
16th Darcia Helle is hosting Helena Harper
17th Martha Swirzinski is hosting Gayle Trent
18th Heidi Thomas is hosting Martha Swirzinski
19th Dana Donovan is hosting Liana Metal
20th Dallas Woodburn is hosting Debra Eckerling
21st Linda Suzane is hosting Janet Ann Collins
22nd Debra Eckerling is hosting Darcia Helle
23rd Heather Paye is hosting Karen Cioffi
24th Maggie Ball is hosting Kevin McNamee
25th Kevin McNamee is hosting Linda Suzane
26th Janet Ann Collins is hosting Kathy Stemke


Be sure to stop by each day - we have some great and useful articles. 

Until next time,
Karen Cioffi
http://karencioffi.com

Friday, January 29, 2010

Is Your Character One, Two, or Three Dimensional?

Between your characters and the plot, you develop a story. If the mix is right, and the characters are believable, you can create a story worthy of publication.

While there are many articles about creating believable characters, it’s so important that I think reminders are always in order since your characters are a crucial aspect of your story.

So, which is your protagonist?

Is your protagonist flat…lacks any type of emotion and action, like the simple and safe kiddy rides at a children’s amusement park…the carousel horse that goes round and round, but does nothing else? Then you have a one dimensional character on your hands.

Is your protagonist a little bumpy…he has some quirks, life and emotion, but no real depth of character or history, like the carousel horse that goes round and round and up and down at a steady easy pace? Then you have a two dimensional character struggling to break into the world of believability.

Is your protagonist a full blown amusement park…a roller coaster, full of ups and downs, knowledge, emotion, character, quirks…life and history? Now you have it – you have a believable three dimensional character that is strong enough to bring your story through to the end.

So, now the question is: how do you create a wonderful, believable life-like three dimensional character?

There are a number of methods you can use that will help you create a believable character, here are two:

    1. Create a character sheet or use an index card before you begin.

On your sheet, list all the characteristics, quirks, moods, mannerisms, physical attributes, artistic attributes…you get the idea. Keep this sheet handy as you’re writing your story. If you tell the reader Pete has blonde hair in the beginning of the story, and then you describe it as black, unless he dyed his hair as part of the storyline, stay true to the character. Readers pick up on errors very quickly.

The more detail you add to your character sheet the easier it will be to know what your protagonist will do in any given circumstance. This will take the element of wondering out of your writing process and save time…Pete finds a bag of money next to his neighbor’s car. Hmm…will he keep it or try to find out if it’s his neighbor’s? Oh, wait a minute, on your character sheet you wrote he’s an honest guy! Simple.

2. Add characteristics and attributes to your protagonist as you write your story.

Write your protagonist’s characteristics, quirks, moods, mannerisms, and so on, on a character sheet as your story evolves. There are some writers who use different methods to create a story. Maybe you’re using the ‘seat-of-the-pants-method’ and your character evolves as your story does. With this method, you want to be sure to note each new development in your protagonist’s character or being.

Let’s go back to Pete again. Pete scratches a car as he’s parking. Does he leave a note on the car he damaged? Does he quickly leave the scene? Does he just ignore the incident and goes about his business? Whichever one of these actions he chooses will establish another element to his character – be sure to make note of it.

Whichever process you use, remember to add life-like qualities to your character. Readers need to develop a relationship with the protagonist. If they feel Pete is three dimensional and they are drawn to him, they’ll be sure to read to the end of your book.
 
Other articles you may find of interest:

Create a Believable Protagonist

More Character Development

If you'd like to learn to write for children, check out this great e-course:

Tricks of the Trade: Learn to Write for Children in Just Six Weeks!

Or step up to the plate and get ready to hit that home run...right to the publisher's. 
The Children's Writers Coaching Club offers great coaching, tools, guidance, and more on writing and marketing. It's worth every penny!


If you'd like a daily dose of motivation, guidance, and even marketing advice, you won't want to miss out on:

The Morning Nudge

Until next time,


Karen Cioffi
Writing, Publising, and Marketing - You Can Do It!

DKV Writing 4 U (http://dkvwriting4u.com)



 




Wednesday, January 27, 2010

Online Opportunities and Opportunity Costs

The list of online marketing gurus is growing every day. Every time I turn around I find another site full of valuable marketing resources and the site owner is willing to email additional information, and I get a how-to ebook, free. How do you say no to that? The only catch is that you have to subscribe to their site. Well, okay, that’s not so horrible. The information certainly has to be worth a subscription, so you’d think.

The deal with this is that each of those subscriptions (site owners), along with some useful informational emails, will offer products or services of their own and from affiliates they promote. According to each of these emails, every product or service offered will be a must have…a real deal. Which do you choose, if any?

In cost accounting there is a term:  Opportunity Costs. What this term means is that if you choose one path or alternative, it is at the sake of other options and benefits. Another way of putting this is: You have $27 per month to spend; you can use it to go to the movies, or go out for dessert, or buy a book a month to teach yourself how to write for children…or you can invest that $27 in the Children’s Writers Coaching Club with Suzanne Lieureance. The club actually teaches and guides you along the path to publishing a book or freelance articles. It also delves into the business of writing, such as marketing. The option you don’t choose is an opportunity cost.

 So, the bottom line is to choose the option that will give you the most benefit for the money and time involved. You want your opportunity costs to be low and of little consequence.

After I’ve spent a tremendous amount of time gathering information form various sites and marketing gurus, and spent a fair amount of money (fair amount for me anyway) on strategies, programs, e-books, cds and so on, I’ve come to a couple of realizations that you should consider before you venture into this bottomless pit of opportunities.

Four Tips on Choosing an Online Product or Service:

1.    You need to research any strategy, program, or service you are thinking of investing in. Though, you need to be careful here because once you google the company or site name, you will undoubtedly come upon some of their affiliates who are eager to proclaim the value of the product or service. The affiliates are partnered with the company. They get a pre-arranged percentage for every visitor they send over or visitor who makes a purchase, or some other call-to-action.

2.    Ask friends, writers and marketers you know and trust about the company or entrepreneur you’re thinking of investing time or money or both in. If no one you know can provide some input, be certain to use tip number ONE.

3.    Once you’ve made your decision and purchase that product or service, STOP looking for others until you’ve gotten your money’s worth out of your first investment. Or, at least stop until you’ve reviewed and worked on the first purchase. What I mean here is: Early on, I fell into the trap of buying one program and before I even looked at it, I bought another one. This is a huge mistake and waste of time and money. If I involved myself with the first project, I may have realized I didn’t need the second or third purchase.

4.    Always evaluate your opportunity cost when thinking of spending time or money.

Incorporating these tips into your writing and/or marketing journey should help you reap the benefits of your investments and save you time and money.

Another article you may find of interest:

Marketers...Are They Wasting Our Time?

Until next time,

Karen Cioffi
http://dkvwriting4u.com
http://karencioffi.com

Pick up your digital copy of: Writing, Publishing and Marketing - You Can Do It!

Sunday, January 24, 2010

The Ghostwriter

He's Invisible...He's Powerful...He Helps Writers...He's the Ghostwriter!

What’s the essential characteristic of a ghost? Invisibility. Well, that’s exactly what a ghostwriter is…invisible.
And, the ghostwriter is a powerful tool and a huge help to writers who can’t seem to get their ideas into content or stories. Or, for writers who don’t have the time to write those articles themselves. Or, people who have a story to tell, maybe a memoir, and need someone to write it for them.

He’s kind of like a superhero of the writing world. He lifts you up and helps you create what you don’t have the time, energy or skill to do yourself.

Okay, he’s not really a superhero…but, he is a writer who will write a story, article, blog, email copy, or other form of content for someone else. He is a modest guy, and takes no recognition for his feat. The individual who hires him gets all the credit!

Do you need an ebook written for a free giveaway? Do you want to create an ebook to offer for sale? No problem. Does your story need a makeover? Do you have an outline, but don’t know where to go from there? No problem.

When you need this type of writing help, who do you call? 
THE GHOSTWRITER!

Here’s a great article about ghostwriters from Gary McLaren:

What is a Ghostwriter?
By Gary McLaren

Do you believe in ghosts? They are mostly unseen. Unnoticeable. And believe it or not they are moving behind the scenes in the publishing industry. If you’re lucky you might catch a fleeting glimpse. They are officially called ‘ghostwriters’.

A ghostwriter is a writer who writes on an assigned topic under someone else's name, with their consent. They often write books completely from scratch but sometimes their work involves rewriting or polishing an existing work.

Most books by famous personalities are actually written by ghostwriters. When you see an autobiography or memoir from a politician, businessperson, or celebrity, chances are that it has been written by a ghostwriter.

Here are a few examples. The autobiography "Ronald Reagan: An American Life" was ghosted by Robert Lindsey. “Learning to Sing”, the autobiography of American Idol star Clay Aiken, was written with ghostwriter Allison Glock. The autobiographies of Doris Day and Sophie Loren were written by A.E. Hotchner.

So how popular is ghostwriting? Statistics are hard to come by since many people don't want to reveal that their book is ghosted. Some industry estimates suggest that up to fifty percent of all non-fiction books are ghostwritten.

A client may decide to hire a ghostwriter because the client does not have any writing talent or because they are too busy. Ghostwriters, for their part, are usually well-established writers already, and are selected on that basis.


What Do Ghostwriters Write?

Ghostwriters are hired to write many types of documents, from autobiographies for famous personalities to e-books for internet marketing gurus, and even letters for politicians.

They also write fiction. Sometimes it is for a series of books written by several ghostwriters under one name, as with the stories of Nancy Drew or The Hardy Boys. Ghostwriters also continue to write novels under the name of popular authors who have died, as in the case of Robert Ludlum.

Is Ghostwriting Ethical?

Although ghostwriting is a widely accepted practice within the publishing industry, some people outside of the industry complain that ghostwriting is deceptive. But that is not necessarily true. Consider for a moment the ghostwriting process. The client is the author of the work in that they are the person who is really behind the content. It is the client's ideas, the client’s stories and experiences. It is the client’s words recorded on hours of interview tapes. The ghostwriter is a professional consultant providing expertise in the area of bringing together all the information, organizing it, and writing it up in a way that will produce a marketable and readable masterpiece.

What Skills Does A Ghostwriter Need?

A ghostwriter must be a good writer.

He or she should also have good interviewing skills, since they will spend many hours and days interviewing clients. They should have the ability to ask good questions that will draw out the best aspects of a story.

Another skill - which may need to be developed - is the ability to maintain the client’s voice so that the book reads like the client, not the ghostwriter.

How Is A Ghostwriter Paid?

Ghostwriters usually charge a flat fee for their work.

Sometimes they will reduce their ghostwriting fee in return for a percentage (perhaps 25-50%) of the royalties, or in rare cases they may waive their fee in return for a percentage of royalties.

The advantage of a flat fee is that a ghostwriter knows exactly how much he or she will be paid. The risk of relying on royalties is that even if the book is well-written, the ghostwriter has no control over the book's marketing and promotion.

Does A Ghostwriter Receive Any Credit?

More often than not, the public never knows that a book was ghostwritten. Sometimes ghostwriters are even legally bound to not reveal that they have ghosted a particular book.

Occasionally ghostwriters will receive some credit. The writer’s name may appear on the cover as a co-author or it might read "as told to Jenny Ghost.” Another way to thank the ghostwriter is under the acknowledgements, for example “…and thanks to Joe Ghoul without whom this book would never have been completed”.



Are You Thinking Of Becoming A Ghostwriter?

It could be an excellent career move. You've probably heard it said that everyone has a book inside them.

Well, the fact of the matter is that not everyone has the time or the skill to write it.

As long as there is a story to be told, ghostwriters will continue to be in demand.

About the Author

Gary McLaren is the editor of Worldwide Freelance Writer. For more information on freelance writing and a database of more than 2,200 writing markets, visit http://www.WorldwideFreelance.com . For more resources on ghostwriting, visit http://www.worldwidefreelance.com/ghostwriting.htm
 
Another article you might find of interest:
Article Repring Strategy

Until next time,

Karen Cioffi
http://karencioffi.com/media-page

If you want to do the writing yourself, but need some help and guidance, check out:
Writing, Publishing, and Marketing - You Can Do It!

Saturday, January 23, 2010

Author and Poet, Nancy Famolari


It’s a great pleasure to feature Nancy Famolari today. I’ve known Nancy for over a year and aside from her being a talented writer, I’m always impressed when I read about where she lives. It’s a place and lifestyle I’m sure some of us probably wish we had. Nancy Famolari lives with her husband, five horses, two dogs and five white cats on a farm in the Endless Mountains of Pennsylvania (see what I mean!).

To start, Nancy wrote a important article for all us writers, one that we should take to heart:

Resolve to be an Empowered Writer

Why do we writers leave the responsibility for deciding the worth of our work in the hands of others and then feel completely devastated by rejection? The cure is to become and empowered writer.

The first step is learn your craft. In “No More Rejections,” Alice Orr describes her younger self in the woman's room of a sushi restaurant resting her head against the tiles feeling completely clueless about why her latest manuscript had been canceled after. The solution, according to Orr, is to learn your craft. None of us would trust our bodies to a doctor who said, “Hey, I want to be a surgeon. I think I'll try this operation on you. When I'm finished, I'll ask a senior surgeon whether I did it right.” That may sound facetious, but it's exactly what many aspiring writers do. They labor for months, or years, over their novel then fling it into the mail hoping an editor, agent, or publisher will love it. Anyone can write a novel – right?

As a professional, you should determine whether your novel has potential. You'll still get rejections. Many business decisions and matters of taste are responsible for a publisher's rejection of a manuscript. But when the letter comes back, you should not feel helpless. You do control the destiny of your work, if you understand its limitations and can assess its economic potential. Writing is, after all, a business.

The second step is accepting responsibility for your work. In a recent exchange on Amazon's comment section, a writer received a very negative review from a reader. Instead of shrugging it off as a matter of taste, the author became defensive. However, instead of giving her own reasons for the novel's lack of success, she blamed her editor. Editors can be extremely helpful. Mine is superb; but, not all editors are created equal, any more than doctors, lawyers, engineers, teachers or mothers. If you really believe your editor is giving you bad advice, it's your responsibility to do something about it. If you elect to take the direction and keep your mouth shut, you can't blame the editor. As a professional, you accepted the criticism and you, not she, are responsible for your work. Your name is on the cover.

This brings us back to the first point. You can only be responsible for your work only if you have a thorough knowledge of your craft. At the start of this new decade, lets all resolve to become empowered writers.
~~~~~~~~~~~~~~~~~~~
Along with writing great articles, Nancy’s stories and poems have appeared in Long Story Short, Flash Shot, Fiction Flyer, Lyrica, Alienskin Magazine Clockwise Cat, and Matters of the Heart from the Museitup Press. She received an award from Fiction Flyer for one of her flash fiction stories. Her novel, Summer's Story, Red Rose Press, 2008. Her mystery, Murder in Montbleu, will be available from Red Rose Publishing in 2009.


The book of Nancy’s I’d like to focus on today is:

 Unwelcome Guest at Fair Hill Farm

When fifteen-year-old Meg discovers that a beautiful Swedish student with designs on her boyfriend has come to spend a year on her beloved horse farm, she decides to act. None of her plans to force Katrina to leave work. During foaling season, disaster strikes.  Will the girls cooperate to save the mare and foal?

Wait, you’ll get a better idea of the story with an excerpt:

Meg stood at the mudroom sink letting the warm water flow over her hands. Her parents' tense voices floated in from the kitchen. The farm wasn't paying it's way. She shivered. If they didn't have a good breeding season, they might have to sell. Meg didn't want to listen to another discussion of their problems, but she could only prolong hand washing for so long.
    “We've got to have help this year. Katrina is the only answer.” Mom's voice carried distinctly into the mudroom.
    The rough towel rasped Meg's hands, but she didn't notice. She tried to blot out Mom's words.
    Carelessly draping the towel over the hook beside the metal sink, Meg took a quick look in the old mirror hanging above the sink, and ran a damp hand over the curls escaping from her red braid. Hoping Mom wouldn't comment on her dusty clothes, she edged into the bright kitchen and slid into the chair at the oak trestle table. The rich smell of the beef stew Mom had prepared for lunch made her throat close. She didn't want to eat, but not eating would only make matters worse.
    When she reached for the stew, Mom and Dad stopped talking. Mom brushed a hand across her forehead and said, “Did you have a good morning?”
    Meg ladled stew into her yellow bowl. “I cleaned Nicky's stall.” She dug a spoon into the steaming food looking for a chunk of meat. “Sandy's coming this afternoon. We're going riding.”
    “That should be fun. Sandy's a nice girl.” Dark shadows smudged Mom's eyes. With her short dark curls and huge brown eyes, she was still pretty, but the sparkle was gone.
    “We want to talk to you.” Dad laid his spoon on the table.
    “What about?” Meg raised a spoonful of beef and gravy to her lips, but didn't taste it.
    “Your mother and I have been trying to decide how to handle the foaling this year, since she had to go back to work.”
    “I can help.” Meg let the untasted food fall back into the bowl. “I can take care of foaling. I know enough. We don't need help. It'll just be more expense.” She thought for a moment. “Sandy can help.”
    “I know you want to help.” Mom sighed. “And Sandy's wonderful, but you girls have to get good grades. You can't miss school just because a mare is about to foal.”
    Meg shoved her hands under the edge of the table and dug her fingernails into the palms. “It wouldn't happen very often.”
    “Hopefully. You never know with mares, and we get a lot of maidens.” Mom looked at Dad. “At least we used to.”
    Meg dropped her eyes. Maiden mares, those having their first foals, were notoriously unreliable and often had serious problems with their delivery, especially if they had been race horses.
    Dad dropped his knife on the plate with a sharp rap. His normally mild blue eyes were icy. “Meg, you're making this hard for your mother. We know you want to help, but your mother would worry about what was happening at the farm when you were in school all day. We need someone here full time.”
    Meg picked up her spoon and stirred the stew. “I'm not a little kid. I'm fifteen. I can help. I know a lot about foaling.” She looked down at the brown mass congealing in the bowl. “I could call Doc if there were problems.”
    Dad drummed his fingers on the table. “We have some good mares coming this year. If the owners found out that no one was here during the day, they'd send them to a farm where they could get full time attention.”
    Meg avoided her father's eyes; she knew he was right.
    Mom touched Meg's wrist. “I know this is hard, but we don't have any options this year. We're very lucky that Inga has an extra girl coming, a girl interested in breeding, who wants to be a vet.”
    Staring down at the purple and yellow flowers on the table cloth, Meg felt hot tears build up behind her eyes. “I don't know why we have to get someone from Sweden. We could get local help.” She choked. “Derek could help. He's here all the time anyway.”
    Dad frowned. “Derek's a talented driver. He's got his own career to think about. We're lucky to get Katrina. The fact that she's from Sweden and willing to live here is a God-send. I don't want you to do anything to make her feel unwelcome.”
    Ugly words formed on her tongue, but Meg bit them back.
    “We need someone here full time.” Mom leaned forward resting her arms on the table. “Horses can have their foals in the pasture in the middle of the day; remember Maisie last year. We need someone to check them regularly and call Doc if there's a problem.” She patted Meg's hand. “Give it a chance, Meg. You'll get to like Katrina. She's just graduated from gymnasium and wants to go on to vet school. You can learn a lot about Sweden.”
    Meg ran her spoon around the inside of the bowl pretending to eat. She didn't want to learn about Sweden. She hated the very idea of Sweden. A stranger, living in the house, would mess up her family. Meg hated to even think it. Would Mom and Dad still care about her when they had someone else living here?
    “She's worked with harness horses.” Mom pulled her hand back. “You and Sandy could learn about Swedish trotters. They're some of the finest in the world. They do training a bit differently than we do. You know how successful Inga is.”
    Tears stung Meg's eyes. “I could learn about trotters from Inga, if you'd let me work for her.”
    Dad hit the table with the palm of his hand. “You're being childish. Inga needs full time help as much as we do. Katrina is coming.”
    “Besides, it's only for three months. That's all they give visas for.” Mom gave a wan smile. “Katrina won't be here forever.”
    Arguing was futile. Three months was forever. She didn't want Katrina to come at all.

Sounds great, doesn’t it.

You can get your copy of Unwelcome Guest at Fair Hill Farm at:

http://www.amazon.com/dp/1448697123
ISBN: 978-1448697120

If you’d like to learn more about Nancy Famolari you can visit her at:

Website:  http://sites.google.com/site/nancyfamolari/

My Spacehttp://www.myspace.com/nancyfamolari/
Facebook:  http://www.new.facebook.com/friends/

Blogs:  http://nancygfamolari.blogspot.com
           http://nancyfamolari.wordpress.com

It’s been so much fun having Nancy here today. Thank you Nancy!

Remember, All, there are still daily tours to visit throughout this month. Check out the schedule at:

http://karenandrobyn.blogspot.com/2010/01/january-2010-author-and-book-tour.html

Until next time,
Karen Cioffi

Friday, January 22, 2010

Writing Books: Is There Money In It?

In the most recent marketing teleclasses I've attended, one of the messages conveyed is that unless you're a major author with tremendous sales, you will not get rich from writing books. You may not even be able to make a living.

So, how does an author create a living out of writing?

Well, whether you're in the process of writing a book, in the process of having a book published, or your book is already available for sale, there are a few strategies writers can use to supplement their income or create a living from writing:

1. Create ebooks and offer them for sale. If you're a fiction writer, write about elements of writing, the process, the pit falls, the publishing process, your marketing strategies, and so on. Write what you know.

2. If you have interests other than the fiction you write, capitalize on them also. If you're a great cook, write about cooking. If you have an interest in health, do the research and write about it.

In steps 1 and 2, it's easy to create a pfd with images and a cover. You can offer them on your site, or through services such as Lulu.com.

If you're willing to invest in a clickbank account or another of these types of services, you can find affiliates to help you sell your ebooks.

3. Don't forget this ONE essential strategy that all writers need to utilize: Write articles, research appropriate magazines and submit, submit, submit - if you don't submit your work, you will not get published...or earn an income from your writing. And, being published does matter; it opens up doors and opportunities that may not otherwise be open.

4. If you're writing nonfiction, think spin-offs. You can create journals, and even videos for sale.

5. Look into selling through catalogues.

6. If you’re writing nonfiction, seek out corporations or businesses that may be interested in your topic. For example: I wrote a bed time story and a great writing coach, Suzanne Lieurance, suggested I look into children's stores (furniture, clothing, etc.) to see if they'd be interested in buying in bulk and offering your book to their clients for sale or as giveaways.

7. If you're published, offer teleclasses or coaching. This is one of those opportunities that will work better if you're published.

8. Promote, Promote, Promote!

These are a few of the strategies you can use to generate income from writing.

Tip: Remember to be focused and research your target market.

Here are two additional posts that might be of interest (just click on the titles):

Private Label Rights - Time Saving Strategy

The Self-Publisher's Guide, 2nd Edition

Until next time,
Karen Cioffi

Wednesday, January 20, 2010

Two Computer and Internet Safety Tips

Lately, a number of writers I know have had their sites and emails hacked into. While there are no guarantees that anything you do will protect you, the more obstacles or barriers you put up the better. If you were a knight, your first line of personal defense would be your shield. As an internet user, your first line of defense is your password.

1. Use Strong Passwords

Many sites, groups, forums, etc., that require passwords have a password gauge. It actually tells you how strong your password is.

This is convenient and a great tool if you actually use it. I watch as I type in my password; it goes from weak to medium to strong; using the best combinations of words and letters creates the strong reading.

An important tip from the Elance.com blog (a freelance writer’s job listing site) is to mix it up. What does this mean? Don’t use “Iwantin” as your password for everything. If a hacker figures out one of your passwords, you don’t want that to be the ‘key to the city.’

To keep track of all your passwords may need to create a Password Sheet. While it’s a bit of extra work, you’ll be glad you have it when you forget a password.

And, please be aware that I was just kidding with the password of “I want in.” Your passwords shouldn’t be your name or other simple word, date, or phrase, no matter how funny or cute. You need a combination of letters and numbers, and/or special characters. Pretend you’re at a carnival and you have the hammer in your hand…you lift it up and over your should, then you slam it down with all your might…the ball rises to the top and hits the bell. This is how you should view the creation of your passwords—hit the bell with each one.

To be extra careful, it would be a good idea to periodically change your passwords, even it they have a strong reading.

According to the Elance article (http://tinyurl.com/ydlzyfh): CSOonline.com has an excellent write up on how to create a solid set of passwords to protect all of your personal and business data. Check it out if you think you need some help in this area.

2. Back Up Your Work Daily

I’ve written about this before, but it’s such an important aspect of writing that I’m including in here.

Often, I know this pertains to me, we forget to back up our work. I also know how important it is because twice I lost VERY IMPORTANT documents. One of those documents was a manuscript I was working on – about a week’s worth of revisions…GONE. I ranted and raved…and cried.

Backing up your work should be done on a daily basis, if you’ve done any writing or saved an article or newsletter – it’s important to backup. If you’ve bother to save useful or interesting information, it’s worth it to back it up. I save so much information from sites or emails or newsletters that I intend to read later...often I forget where I saved it, but that’s another story.

The strategy I use now is to save directly to a zip drive. If it’s an exceptionally important file, say, my manuscripts or clients work, I “save as” to my hard drive also. Then, I save the important folders to a 2nd zip – I should be doing this daily, but I always forget. And, as a full back up, I save any folders I’ve worked in to a 3rd zip drive once a week. I feel confident that a 3and 4 layer backup should be safe.

I know may writers save their work at offsite services such as carbonite.com or backupsolution.com (please note, I’m not recommending any service), but I haven’t journeyed down that path yet. I have enough monthly writing expenses without adding an offsite backup system. Even at $5-7 per month, it’s more than I’m willing to pay right now. I just hope I don't end up regreting my decision.

Until next time,

Karen Cioffi
http://karencioffi.com/media-page/
http://dkvwriting4u.com

Monday, January 18, 2010

Critiques are Essential

I'm the co-moderator of a children's writing critique group. We cover picture books to young adult to magazine articles.

In addition to this, I'm a reviewer for BookPleasures.com, and Muse Book Reviews - it's easy to tell which authors haven't bother to have their work critiqued or edited.

Any advice I give, or whether I'm writing articles or another e-book about writing for children or writing in general, I always include the importance of belonging to a critique group. Even experienced authors depend on the unique perspective and extra eyes that each critique member provides.

The critique group can catch a number of potential problems with your manuscript:

1. grammatical errors
2. holes in your story
3. unclear sentences, paragraphs, or dialogue
4. the forward movement of the story
5. overuse of a particular word, adjectives and adverbs
6. unnecessary words to help create a tight story


The list goes on and on. And, there are even more potential problems to be watched out for when writing for children. It's near impossible for even an experienced writer to catch all his or her own errors.

Your critique partners will also provide suggestions and guidance. Note here, it is up to you whether to heed those suggestion and comments, but if all the members of your group suggest you rewrite a particular sentence for clarity, hopefully a light will go off and you'll pay attention.

Along with having those extras sets of eyes to help you along, you will begin to see your own writing improve. You will also be able to find your own errors and those of others much quicker. This will help you become a better and more confident writer.

Now, while the critique group does not take the place of an editor, they do help you get to the point where you think you're ready for submission. At this point, it is always advisable to seek an editor to catch what you and your critique group misses. And, believe me, there will be something in your manuscript that wasn't picked up on.

When looking into joining a critique group, be sure the group you do join has both new and experienced writers. The experienced writers will help you hone your craft just through their critiques of your work.

So, today's tip: if you're not already a member of a critique group, join one today!

Other articles you might be interested in:

"Be Open Minded with Critiques"
http://www.examiner.com/x-32774-Montreal-Writing-Examiner~y2009m12d20-Be-openminded-with-critiques?cid=examiner-email

"The Process of Creating a Childrens Story - Two Different Formulas"
http://www.associatedcontent.com/article/2074735/the_process_of_creating_a_childrens.html?cat=38

"Is Your Manuscript Ready For Submission?"
http://EzineArticles.com/?id=3195996

Until next time,

Karen Cioffi
http://dkvwriting4u.com
http://karencioffi.com
http://nothingventurednothinggained.org
http://daysendlullaby.blogspot.com
http://twitter.com/KarenCV

And, if you're looking for a great e-book to help you on your road to publication, check out:

Writing, Publishing, and Marketing - You Can Do It!
If you're interested in this ebook, I offer it directly at a discount.

Check out a great review at: 
 http://www.karencioffi.com/writing-publishing-and-marketing/

Sunday, January 17, 2010

Write About Now with Sherrie Petersen



Visit the Write About Now blog by Sherrie Petersen. She has a post about the authors of the Indie-Debut 2010.

http://solvangsherrie.blogspot.com/2010/01/spotlight-on-indedebut-2010-authors.html

This post provides great information on how the authors of small publishers got their foot in the door. It also provides useful advice as they answer how they promote and market their books.

It's worth the read!

Until next time,

Karen Cioffi
http://dkvwriting4u.com
http://daysendlullaby.blogspot.com
http://nothingventurednothinggained.org

Saturday, January 16, 2010

Writing's the Easy Part


I've said it before and I'll say it again, writing is the easy part of the business of writing. Unless you're working with an editor and have a deadline, you write at your own pace...and there really isn't any stress. You either know where you're heading with your story, if you're working from an outline, or your story unfolds as you write like a rose bud blossoming.

As for the other side of the business of writing, the promotion, marketing, and networking...this is the stressful and time consuming part.

As an example, yesterday I realized, thanks to my wonderful writing coach, Suzanne Lieurance, that I needed to get on the ball with my autoresponder and free gifts. Thank goodness for Suzanne! So, I spent the day working on my DKV Writing 4 U site. I deleted an old freebie and added a new one. I edited the free offer for subscribing also. And, then I went to my autoresponder company, iContact, and edited my Welcome Messages to include a link to the freebies.

You would think this shouldn't be so time consuming or stressful, but I couldn't figure out how to exclude the freebie pages from my sidebar links. The reason this is important is because if the pages were visible on the sidebar or header area, anyone who stopped by the site could go to the page and download the freebie I have specifically for those readers who subscribe to the site.

Well, I went to Blue Host and asked if the information I needed was at their end or WordPress's end. I was told it was probably with WordPress. Then I went to the WordPress information site and spent at least an hour trying to find the info I needed. FINALLY, I found a response to a question similar to mine. How easy the solution was...after I found it. All I had to do was download a plugin that easily allows the exclusion of specific pages from the sidebar and header area. Ah, ha!

Then, today, I knew I had to revise an e-book I have available on Lulu. I wanted to add my own cover to the book rather than use the standard and dull cover that Lulu provides. I tried to create a jpg from a word doc page. Now, I have Adobe Photoshop Elements, which is a pretty handed tool, but I just couldn't get the word doc to save as a jpg in the size I needed, so I tried to create my own cover in Photoshop.

Okay, now I'm rambling...the bottom line is I wasted hours and hours again and I still couldn't get what I wanted, so I'm using Lulu's cover. I did include my own covers as the first page of the interior though!

And, NO, I didn't get any writing done yesterday or today! AGGGHHHHHHH

You can check out my e-books at lulu:

The Self-Publisher's Guide, 2nd Edition

Writing, Publishing, and Marketing - You Can Do It! 2nd Edition

Until next time,

Karen Cioffi
http://dkvwriting4u.com
http://nothingventurednothinggained.org
http://daysendlullaby.blogspot.com
Follow Karen at: http://twitter.com/KarenCV

Wednesday, January 13, 2010

Getting to Know Your Characters

I recently read a post about writing for children. It focused on the story’s characters.

Basically, the post advised to create and know your characters inside and out before beginning the story. In fact, it suggested that the author build the story around the characters once they were fully developed. While this is good advice, and many experienced authors recommend this technique, there are some authors who occasionally watch their characters unveil themselves right before their eyes.

This is such an interesting method of writing. Your character introduces himself and gradually reveals bits and pieces, and blossoms as the story moves along.  I’m currently working on a middle grade science fiction manuscript that is using this style. I didn’t intentionally start the story this way…it just happened.

You do need to be careful with this method though, you may lose track of all the bits and pieces that make up the character. So, a good way to keep track of those quirky telltale marks, expressions, behavior patterns, and physical features is to note them on a page or card as they become unveiled. You wouldn’t want your character to have brown eyes in one chapter and blue eyes in another - unless of course, it’s a science fiction or paranormal and part of the storyline.

Actually, in this particular story of mine I used the ‘seat-of-the-pants’ method of writing for the characters and the story. I had no idea what the story would be about until I began writing it. I’m about half finished with it, and I have no clue where it will go from the point it’s at now, but it’ll be interesting to find out.

It’s true that many authors prefer the outlined method of writing, and I actually do also. Although, it seems once in a while a story and the characters can lead the author through an entire manuscript without the benefit of a structured outline. I find this so fascinating…watching characters evolve and a story unfold. It’s almost like magic…characters, a story, and even worlds appear from thin air. It is magic!

You might also find Creating a Believable Protagonist interesting:

http://www.dkvwriting4u.com/2009/11/create-a-believable-protagonist/

Until next time,

Karen Cioffi
http://dkvwriting4u.com
http://nothingventurednothinggained.org
Follow me at: http://twitter.com/KarenCV

Monday, January 11, 2010

Watch Out for Dangling Teasers

Follow Through with Leads in Your Story

Reading manuscripts from new writers I see a similar pattern in a number of them: the authors tease their audience with a particular sentence or text, unaware that they are doing this. Then, they fail to follow through.

You might wonder why this matters, so let’s discuss the reasons.

When writing, we usually assume everything we’re writing is interesting and engaging. The sentence or thought we convey at one point in the story sounds great…and intriguing. But, we may quickly go into something else and forget we left an unfulfilled or dangling teaser behind.

Here’s a simple example:

My house sat next to Uncle Pete’s. It stood large, spacious and old. The first day we moved in, I counted twelve giant rooms. My room fit all my furniture with enough room for me to dance and twirl around. The basement…even the steps leading down to it…frightened me.

I remember roaming through the rooms…searching…exploring. I knew there had to be hidden treasure and hidden passages waiting to be found.

Now, there are at least two outstanding sentences in the above text that might detract from the story, if not followed through with:

1. My house sat next to Uncle Pete’s.

Unless, Uncle Pete, or his house will be a part of the story, this information does not move the story forward and may detract from it. Why, you ask? Well, the reader will probably assume there’s a reason you mentioned Uncle Pete and his house. If you don’t follow through and weave this element into the story, the reader will feel a bit disappointed. This is never a good reaction for a reader to have!

2. The basement…even the steps leading down to it…frightened me.

Again, unless this is to be elaborated on sometime in the story or followed through immediately, you will leave your reader with the questions: What about the basement? Why are the basement and the steps so scary? What’s in the basement?

Leaving your reader with unanswered questions, or a conscious or subconscious disappointment, is a formula for losing a reader.

So, how do you avoid this type of teaser?

There are several steps you can take to catch dangling teasers, kind of a checks and balances (ah, there’s my accounting background seeping through):

1. Create a checklist sheet of the teasers you want to include.
2. Reread your story many times and read it aloud.
3. Keep an eye out for dangling teasers.
4. Print a copy and read it – this catches a number of errors and weak points that you glaze over while reading it on the computer.
5. Give it to your critique group to read. Yes, you absolutely need to be part of a critique group.
6. Finally, have it edited before submitting it to publishers and/or agents.

Here's another article you may find of interest:


Is Your Manuscript Ready for Submission

Until next time,
Karen
http://dkvwriting4u.com




Friday, January 8, 2010

Are You Showing or Telling?

I've written about showing and telling before, but it’s such an important topic that I think more information is always helpful.


Writing is an ongoing adventure…always something to learn and tweak and hone. I recently wrote a children’s story and found I still had a bit of showing in it, thanks to the critique by the Children’s Writers Coaching Club with Suzanne Lieurance (more about the club below).

I was toying with the idea of submitting my story as a picture book, but was advised it would work out better as a children’s magazine article, unless I wanted to rewrite it specifically for a pb. Anyway, I noticed that when I write, and I think this goes for most of us, my thoughts precede my reading ability – so I don’t catch my own errors. This happens because I know what I wrote and what I intend to convey. This makes it almost impossible for a writer to edit her (or his) own work. You can get close, but as the saying goes, Almost Doesn’t Cut It.

What do I mean? Well, let’s look at a simple sentence:

In a daze, Pete stumbled to his feet.

While this isn’t the exact sentence in my story, it is similar. I revised my article and reread it numerous times and didn’t notice that “in a daze” is telling, not showing. And, what’s the KEY to writing in today’s fast paced, no time to waste world? FOCUS AND TIGHT WRITING.

In fact, the fast paced reader of today is getting even more impatient and ready to move on in the blink of an eye. So, we need to take this into account in our writing and marketing.

Okay, back to the focus of the article…

So, how do we change the above sentence into a showing only sentence?

Dazed, Pete stumbled to his feet.

Really simple when you are able to actually read what is written rather than already know what you intended.

What are the important tips to take away?

1. Make sure you are part of a critique group

2. Join the Children’s Writers Coaching Club if you are writing for children

3. Do not submit your work to a publisher or agent before you’ve had it professionally edited.

Now for a bit about the Children's Writers Coaching Club:

I'm a member of Suzanne Lieurance’s Children's Writers Coaching Club and I have to say it is a great club. It delves into writing children’s books as well as writing for children’s magazines: the techniques, tips, the dos and don’ts, it’s all explained. Members are given monthly assignments geared to get your work published. There is also a weekly critique session in which you submit a manuscript or article and Suzanne personally critiques it for you. In addition to this there are weekly teleclasses that teach you the ins and outs of writing for children, freelancing, and marketing. All this along with Suzanne’s knack for motivating and encouraging her members helps you learn and hone your craft. My writing has improved greatly with Suzanne’s guidance and I continue to improve and benefit from this club. I don’t think there is another club that offers so much for such a miniscule price of $27.00 per month.


And, if you're interested in having an extra set of eyes look over your manuscript before submitting it, DKV Writing 4 U offers a wide range of writing services - check it out at http://dkvwriting4u.com/.

Another article that might interest you:

Is Your Manuscript Ready for Submission


Until next time,
Karen

Tuesday, January 5, 2010

January 2010 Author and Book Tour Schedule

Okay, I'm a bit late with the schedule on my site, but it's here now.

A month of great posts: informational articles, advice, tips, poetry and reviews of great books. And, we have new and famous authors. PLUS you may be the winner of our monthly mystery site giveaway, so be sure to join us and leave comments.

Now for the schedule:

January 2nd Dianne Sagan is hosting Kevin McNamee
January 3rd Harry Gilleland is hosting Maggie Ball
January 4th Karen Cioffi is hosting Lea Schizas
January 5th Kathy Stemke is hosting Heidi Thomas
January 6th Lea Schizas is hosting Martha Swirzinski
January 7th Vivian Zabel is hosting Liana Metal
January 8th Nancy Famolari is hosting Margaret Fieland
January 9th Elysabeth Eldering is hosting Mayra Calvani
January 10th Katie Hines is hosting Elysabeth Eldering
January 11th Helena Harper is hosting Dana Donovan
January 12th Liana Metal is hosting Debra Eckerling
January 13th Carolyn Howard-Johnson is hosting Dianne Sagan
January 14th Gayle Trent is hosting Helena Harper
January 15th Mayra Calvani is hosting Stephen Tremp
January 16th Marvin Wilson is hosting Linda Asato
January 17th Linda Asato is hosting Kathy Stemke
January 18th Stephen Tremp is hosting Katie Hines
January 19th Margaret Fieland is hosting Karen Cioffi
January 20th Darcia Helle is hosting Harry Gilleland
January 21st Martha Swirzinski is hosting Jane Sutton
January 22nd Heidi Thomas is hosting Darcia Helle
January 23rd Karen Cioffi is hosting Nancy Famolari
January 24th Dana Donovan is hosting Linda Suzane
January 25th Dallas Woodburn is hosting Marvin Wilson
January 26th Linda Suzane is hosting Dallas Woodburn
January 27th Debra Eckerling is hosting Vivian Zabel
January 28th Heather Paye is hosting Gayle Trent
January 29th Maggie Ball is hosting Carolyn Howard-Johnson
January 30th Kevin McNamee is hosting Heather Paye

Yep, a full month of great tours! Click on the links and join in on the fun and information!

Until next time,
Karen

Monday, January 4, 2010

Lea Schizas, Award Winning Author and Editor


Ah…a new year... and I get to begin it with the privilege of hosting Lea Schizas.

Lea Schizas…what can I say? Lea is a doer, giver and teacher. She is an award winning author and editor, and generously gives of her time to help writers learn the craft. I admire this wonder woman and am honored to be involved in her writing world.

Lea has many creditials, but I'll focus on a few: Lea is the Founder and Editor in Chief of two Writer’s Digest 101 Top Writing Sites since 2004 and recipients of several Preditors and Editors Awards: Apollo’s Lyre, an online writer’s Zine: http://www.apollos-lyre.com/; the online writing critique.

And, for those who aren’t aware of it, Lea is the founder and organizer of The Muse Online Writers Conference. I’ve attended the past two years, and it would take its own article to tell of all the benefits that writers can gleam from this FREE week long conference. Be sure to register for this year’s – it’s held in October. Click on the link:  http://ca.groups.yahoo.com/group/2010MuseConferenceRegistration/

If you'd like to learn a bit more about the conference go to:
http://www.dkvwriting4u.com/2009/11/the-muse-online-writers-conference-2010-registration-is-open/

For a more frequent writing boost, there's Lea's blogsite, The Writing Jungle (http://thewritingjungle.blogspot.com/). It's a great resource for us writers. Lea shares her experience and knowledge to help us hone our craft.

And, Lea's most recent endeavor is Pen Perfect Associates (http://penperfectassociates.blogspot.com/).
This site offers great articles on writing topics – it is a wonderful, and more importantly, useful resource for writers. And, if you’re in need of an editor, you needn’t look any further…Lea is a working editor.

In addition to all this, Lea has two books available:



Doorman's Creek
Publisher: eTreasures Publishing
ISBN: 0974053740
ISBN: 13: 978-097405374

Here's a description of Doorman's Creek:

When Kyle Anderson and his two buddies decide to explore a cave hidden within Doorman's Creek, the last thing they expected to find was a skeleton... and an unknown entity, throwing them right into the path of a serial killer. Faced with a sudden gift of visions into past and present disappearances, Kyle must now track down who the murderer is before another family member gets killed.

According to Lea: My YA paranormal suspense thriller was actually written as a screenplay when I first began my career and then I added descriptive details, background and settings, and the five senses to make it into a book. Most of my manuscripts begin like screenplays. Love to hear my characters talking first.

You can get your copy at:
http://www.amazon.com/dp/0974053740?tag=thevirtualc08-20&camp=213761&creative=393545&linkCode=bpl&creativeASIN=0974053740&adid=05RWJX4HJYZQAKF1BWMF&

Next up is:


Bubba and Giganta: Odds Against Us
Publisher: 4RV Publishing
http://www.4rvpublishingllc.com
ISBN: 978-0-9797513-6-3

Synopsis of Bubba and Giganta: Odds Against Us

Bubba  hates it when his dad gets a contract for a new project. That means uprooting the family from one city and moving to another. Attending a new school is a major pet peeve of his. His smart alecky nature attracts the bullies in every school he’s attended.

On the first day of school, Bubba bumps into this rather large student. Fearing a confrontation, he wears his tough guy attitude and waits for the punches to begin. Remarkably, the new student apologizes, and Bubba and David (aka Giganto as Bubba eventually nicknames him) become best friends.

Bubba and Giganto try out for the high school soccer team, and that’s when trouble begins. Bubba knew eventually he’d meet the bullies of the school, and he was right.

In the first initial weeks, Bubba learns about a death that occurred the previous year; faces the bullies on several occasions; helps Giganto practice soccer before tryouts; and challenges the bullies to a scrimmage.

Little does Bubba know Giganto holds a secret - one that will place Giganto in a deadly situation.

And, here’s a wonderful review:

BUBBA AND GIGANTO
Reviewed by Beverly Stowe McClure


Lea Schizas has written another page turner. Once I started reading about Bubba and David, AKA Giganto, I couldn’t stop. Before I knew it I’d read the whole story. I’m so glad I did.
Bubba (yes, Bubba, not Bobby or Brendan) Jacobson, tough guy, smart mouth, sensitive heart, and David (Giganto) Montana, nice guy, picked on by bullies, big and clumsy, are the least likely of friends. But when they meet on the first day of ninth grade a remarkable friendship is formed.
This is Bubba’s first year at Pierson High, and he’s delighted to discover they have a soccer team. Questions arise, however, when Bubba and David try out for the team. Why does Mr. Ambrose, the gym teacher, tell Bubba not to push David (Giganto) into something he doesn’t want to do? What is the secret about the boy who died during a soccer scrimmage the previous year? Is David (Giganto) connected to the tragedy? And why is Jason, all-star athlete with an attitude, so determined David doesn’t make the team?
Ms. Schizas is a master at surprise endings. Just when you think you know all the answers, she changes the questions with an unexpected twist or two. I never saw this one coming.
Themes of bullies, soccer, friendship, and forgiveness are woven through this short story, making it one boys can relate to and will enjoy reading. I recommend it for reluctant readers, children who perhaps are facing their own bullies, and also for sports lovers and everyone who enjoys a fast-paced book with continuous action.

````````````````````````````````````````````
I read Bubba and Giganto: Odds Against Us and found it to be a heartwarming story of friendship and the responsibility that can go along with it. Using high school soccer as a backdrop, this humorous and touching story delves into human frailties - emotional and physical. Bubba and Giganta deal with their own personal frailties while trying to stand their ground with the local bully.

Bubba and Giganto explores the affects and sheds some light on possible underlying causes of the prevalent, hurtful, and unacceptable behavior of bullying. Ms. Schizas cleverly uses wit to weave realistic portrayals and life threatening issues into a wonderful middle grade/young adult story.



Click on one of the links below to get a copy of Bubba and Giganto: Odds Against Us:

Amazon.com
http://www.amazon.com/Bubba-Giganto-Odds-Against-Us/dp/0979751365/ref=pd_bbs_sr_1?ie=UTF8&s=books&qid=1219156292&sr=1-1

4RV Publishing
http://4rvpublishingllc.com/Store.html

Barnes & Noble
http://search.barnesandnoble.com/Bubba-and-Giganto/Lea-Schizas/e/9780979751363/?itm=1

The Reading Warehouse
http://www.thereadingwarehouse.com/book.php?ISBN=9780979751363

But that’s not all folks, Lea has a picture book in the works that should be out this year!

If you’d like to learn more about Lea Schizas and her books you can contact her at:
museitupeditor@yahoo.ca

I want to thank Lea for being my first guest in 2010;  it has certainly been a pleasure!

To find a schedule of other great tours for each day of this month go to:

http://tinyurl.com/yze3g2k


Until next time,
Karen

Saturday, January 2, 2010

Creating a Writer's Resume by Moira Allen

I thought it'd be a good idea for all of us to get our writing resumes spiffed up a bit. I found this wonderful article that gives great tips and advice on doing just that and wanted to share it with you (with the author's permission of course!).

Creating a Writer's Resume
by Moira Allen

Do you know what a writer's resume looks like? I have a "regular" full-time job but also work as a freelance writer from home. Recently I saw two ads for writing jobs, requiring a resume along with clips and a query leter. Should I include only my writing credits and education? Or should I include my whole employment history even though many of those jobs had nothing to do with writing?

Here's a dilemma freelance writers often face: How do you go about getting a "day job" in the writing or publishing business? If you're a freelancer, chances are that (a) you work from home, and (b) your job history (current or former) may have little relationship to your writing skills. You know that you have the skills to handle a regular writing or editorial position, but how do you convince an employer?

Don't despair: There is an alternative. Instead of using a traditional "work history" resume, consider developing a "skills" resume instead. This type of resume is a perfectly acceptable alternative to the chronological resume, and enables you to focus on the skills and experience that are directly relevant to the job for which you're applying.

Putting Your Credentials First

A skills resume differs from a job-history resume in that it lists your skills and qualifications in a separate section, rather than as a subset of your work history. The basic framework for such a resume might look something like this:

Section 1: Name, address, telephone, fax, e-mail, URL

If you're using a print resume, center these in a larger, attractive (but not too fancy) font, as follows:

Ima Great Writer
123 Quill Pen Rd. • Hometown, CA 94000
(555) 123-4567 • (555) 123-4568 (fax) • e-mail
Great Writings Page • http://www.greatwritings.com

Section 2: Objectives

Optional. If you choose to list your objectives, use no more than two lines here.

Section 3: Qualifications

This is the critical part of your resume. You may want to give this section a more definitive title, such as Writing and Editing Experience. Here, you'll want to list each type of skill that is relevant to the job you're applying for. For example, if the job listing asks for demonstrated writing and editing skills, plus familiarity with Internet publishing and HTML, your "qualifications" section might look something like this:

•    Writing: Professional writer for XX years, with experience in magazine, newspaper, and business writing. Author of XXX articles in XX national publications; co-author of two books; author of three book chapters. Winner of the 1998 "best article" award from the Good Authors' Association. (See attached publications list for details.)
•    Editing: Editor of two electronic newsletters, various corporate and business materials (including reports, white papers, and brochures) and one organizational newsletter. Experienced in copyediting, content editing, and proofreading.
•    Business and Corporate Writing: Developer, writer, editor and designer of a wide range of business materials, including brochures, newsletters, and annual reports. Clients include...
•    Internet, HTML, and Desktop Publishing: Webmaster for the Great Writings Page (http://www.greatwritings.com). Familiar with HTML, VTML, and java. Familiar with several desktop publishing programs for both electronic and print publishing, including [list programs you've used].
•    Anything else that might seem relevant...

Section 4: Work History

Even if your work history has nothing to do with your writing skills, you should include it. A history of employment indicates to a potential employer that you are, in fact, employable. If your history indicates several periods of steady employment with a single company, this indicates that you are considered a reliable worker (i.e., one who was retained) rather than someone who either flits from job to job or gets fired frequently. If you've been promoted within your company (past or present), list this as well, as this is another good indication of your ability to function well as an employee.

Unlike the job-history listings in a regular chronological resume, however, you'll want to keep these sections short. List your job title, dates, the name of the company and its location, and a contact name and number if you wish. Use no more than two or three lines to summarize your duties and major achievements. Be selective: List promotions, and highlights such as number of people supervised, whether you were responsible for a budget, whether you handled major projects, etc.

If you have been self-employed as a freelance writer for a period of time, list this as your most recent "job." This will help explain any otherwise awkward "gaps" in your employment history. For example:

Freelance Writer - June 1997 to present
City, state
Brief description of your primary writing activities, including the names of any major clients or publications for which you have provided material or services. Don't bother to recap the skills you've already listed above.

Previous Job Title - April 1990 to June 1997
Company Name
City, state; contact name and phone number if desired.
Brief summary of your duties and responsibilities; list major achievements and promotions.

Job Before That - January 1985 to March 1990
Company Name (etc.)

Needless to say, if you can find any duties in your work history that relate to writing or the job you're trying to obtain, list them -- even if it's something as obscure as "contributed to the company newsletter." Do not, however, list your reasons for leaving previous jobs (whether voluntary or otherwise), and never include negative information about your previous employers.

Section 5: Education

Every resume should include your educational history, starting with the most recent degrees and working backwards. If you have a college education, omit information about high school. This section should also include any other relevant education you may have, such as vocational training, on-the-job training, or even online courses that are relevant to the job you're seeking. (Keep in mind, however, that "adult education" courses, which generally don't involve grades or certification, generally won't impress an employer.)

Many writing and editorial jobs ask for a degree in writing (e.g., journalism, English, etc.). Don't panic if you have no such degree; most companies are more than happy to accept experience in lieu of formal education.

Section 6: Awards and Memberships

This is the section to list any awards you've received, especially relating to writing and editing. (Don't include awards your website has received, unless they are truly meaningful.) If you are a member of any writing or editorial societies or organizations, list those as well (if you have room).

Section 7: Personal Information
 

It was once fashionable to list personal interests and hobbies on a resume. Now, however, that is considered inappropriate. If you have specific "hobby" skills that somehow relate to the job in question, try to find a way to list those under "skills" instead. (For example, if you're applying for a job at an archaeology magazine and you've participated in several digs during your summer vacations, list those under "skills and experience.").

Pulling it All Together...

Here's what your resume might look like when you're finished:

Ima Great Writer
123 Quill Pen Rd. • Hometown, CA 94000
(555) 123-4567 • (555) 123-4568 (fax) • e-mail
Great Writings Page • http://www.greatwritings.com

Objectives: An editorial position that will enable me to contribute to the creative development of a publication and expansion of its circulation.

Writing and Editorial Background

•    Writing: Professional writer for XX years, with experience in magazine, newspaper, and business writing. Author of XXX articles in XX national publications; co-author of two books; author of three book chapters. Winner of the 1998 "best article" award from the Good Authors' Association. (See attached publications list for details.)
•    Editing: Editor of two electronic newsletters, various corporate and business materials (including reports, white papers, and brochures) and one organizational newsletter. Experienced in copyediting, content editing, and proofreading.
•    Business and Corporate Writing: Developer, writer, editor and designer of a wide range of business materials, including brochures, newsletters, and annual reports. Clients include...
•    Internet, HTML, and Desktop Publishing: Webmaster for the Great Writings Page (http://www.greatwritings.com). Familiar with HTML, VTML, and java. Familiar with several desktop publishing programs for both electronic and print publishing, including [list programs you've used].
•    Speaker: Invited speaker to several writing conferences, including...

Employment History

Freelance Writer - June 1997 to present
City, state
Brief description of your primary writing activities, including the names of any major clients or publications for which you have provided material or services. Don't bother to recap the skills you've already listed above.

Previous Job Title - April 1990 to June 1997
Company Name
City, state; contact name and phone number if desired.
Brief summary of your duties and responsibilities; list major achievements and promotions.

Previous Job Title - January 1985 to March 1990
Company Name
Brief summary of your duties and responsibilities; list major achievements and promotions.

Education
M.A., University of Somewhere, 1989 - Journalism
B.A., University of Somewhere Else, 1985 - English
Certification in Editorial Excellence, 1992; Certification in HTML, Online School of HTML, 1997.

Awards and Memberships
Cat Writers' Association, "Best Article," 1998
Speakers' Bureau Certificate of Excellence, 1997
Member, Authors' Guild
Member, Mystery Writers' Association of America
Member, Mytown Writers' Consortium; Vice-President 1997-1998

Extra Materials

In addition to your resume (which you should try to keep to one page, unless you've had truly extensive relevant experience), you'll also want to provide a publications list. This should also be kept to a single page. Give it the same header (name, address, etc) as your resume, and use it to list your most significant publications or those that are most relevant to the position. Double-space the list, which should include the title of each article or story, the publication in which it appeared, and the date of publication. If it appeared online (and is still available), you may wish to include the URL as well.

You may also be asked for clips. Choose your best; if your publications include quality photos, consider springing for color copies. It should go without saying that these should be published clips -- but I have been amazed at the range of "samples" offered by job applicants. One individual who was applying to a job I was about to vacate offered the first three pages of two unfinished short stories as "samples" of her writing ability (need I say that she wasn't hired?).

If you haven't assembled a portfolio of your best work, this is a good time to do so. Find a nice leather binder at an office supply store, and insert your best clips into plastic sheet-protectors (the kind that are large enough to hold an 8.5x11 page without the need to actually hole-punch your clips themselves). Don't use those ancient, awful plastic protectors with the black paper insert; besides being as obsolete as dinosaurs, those can actually damage your clips. If you write in several different fields, consider dividing your portfolio into sections. Include color copies of any awards you've received, along with a copy of your publications list.

Preparing in Advance

This resume advice may seem all very well if you actually have something to put in your "skills and experience" section -- but what if you don't? The short answer is that you're not likely to get the job of your dreams. The long answer is: If you know you'd like to be able to apply for a job in the writing, editing, or publishing business in the future, start preparing now.

If you have dreams of becoming an editor, and you're now a freelance writer, look around for editing possibilities. Today, you can find a host of part-time, telecommuting editorial jobs online; check our Jobs for Writers section for a list of links to job boards. For many of these jobs, all you need is skill and a modem.
Build a relationship with a company that can give you a good recommendation.

While it's often easy to find "volunteer" jobs, be aware that a magazine publisher may not be impressed by the fact that you edited your church newsletter or Neighborhood Watch bulletin. A history of "paid" positions, even part-time contract jobs, will serve far better (and put food on your table at the same time). Such jobs can also bring you a regular paycheck during those gaps when freelancing checks are slow to arrive.

A good "skills" resume may be all you need to get your foot in the door. After that, it's up to you. If that sounds intimidating, why not think of yourself in the same terms as one of your queries or manuscripts? With the proper presentation -- the right envelope, a professional approach, and appropriate credentials -- you'll be well on your way to the job of your dreams.

Copyright © 2001 Moira Allen
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Moira Allen, editor of Writing-World.com, has published more than 350 articles and columns and seven books, including How to Write for Magazines, Starting Your Career as a Freelance Writer, The Writer's Guide to Queries, Pitches and Proposals, and her most recent book, Writing to Win: The Colossal Guide to Writing Contests. Allen has served as columnist and contributing editor for The Writer and has written for Writer's Digest, Byline, and various other writing publications. In addition to Writing-World.com, Allen hosts the travel website TimeTravel-Britain.com, The Pet Loss Support Page, and the photography website AllenImages.net. She can be contacted at editors "at" writing-world.com.
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